An analysis of de profundis based on platos view of art and beauty

Mark Lamarre Lamarre 1 Crazy Love: I am the eye with which the Universe Beholds itself, and knows it is divine; All harmony of instrument and verse, All prophecy and medicine are mine, All light of art or nature-to my song Victory and praise, in its own right, belong. The ancient Greeks appreciated Beauty. Their particular sense of beauty informed their culture, art and religion from the beginning of Hellenistic civilization.

An analysis of de profundis based on platos view of art and beauty

Out of the depths I cry to you, Lord; Lord, hear my voice. Let your ears be attentive to my cry for mercy. Wilde took the opportunity to turn his misgivings into a personal exploration of what really is important to himself as an artist as well as a man, using aesthetics as a major motif to hinge most all of his advice and personal exploration on.

Wilde asserted that that in order to live an aesthetic life, a person must live as though one was a living, breathing work of art.

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De Profundis is proof that even while surrounded by the horrors of prison Wilde insisted on living as artfully as he could.

If it is art that helps the creator realize perfection, then De Profundis is that piece of art that helped Wilde discover his perfection of self-awareness, self-analysis, and self-discovery. Wilde saw art as A unique endeavor, quite independent of moral or utilitarian values and prerogatives; its specific appeal is to the artistic temperament, rather than to any other aspect of our experience; the artistic temperament is conditioned by and responds to the aesthetic sense, which is to way to a sense of beauty; beauty is communicated by for.

The only further step that was taken…was to associate beauty and truth. Julia Prewitt Brown, author of Cosmopolitan Criticism: Both definitions define art in relation to life, because, to Wilde, one could not live artistically without perceiving the beauty around them.

This is what Wilde perceived after contemplating the lack of beauty in his life caused by Bosie. He goes on to address Bosie, summarizing his faults: You must see now that your incapacity of being alone: When I compare my friendship with you to my friendship with such still younger men as John Gray and Pierre Louys I feel ashamed.

My real life, my higher life was with them and such as they. This knowledge is the antidote to his misery, as knowing is the first step to fixing the problem. While Wilde acknowledges that Bosie was preoccupied with only life and not art, he uses De Profundis to show that life is not whole without the presence of art.

Bosie is his proof of this theory. Without art, life would not be as informed, as whole, or as beautiful. If life is art, then life must be ethical in order to be beautiful. But to Wilde, life is art. If art is considered to be morality and life bound as one, then it can be understood that art is everything, as life is the sum of all of our experiences.

The approach that Wilde takes when addressing the ruin that is his life can be viewed as positive, as throughout the letter Wilde blames himself for allowing the ugliness to penetrate his life, learning from his experience with Bosie.

Wilde realizes that if he were to place blame for his downfall solely on Bosie, he would not learn and gain insight from his experience. And, blaming Bosie solely for his destruction would not be artistic, as outward bitterness would not be considered artistic in his view of aesthetic qualities as being bitter is an ugly trait.

Wilde also believed that life is paradoxical in its nature and that everything, including artistic output, can be seen as a puzzle to human behavior. If life is paradoxical, and life is art, then art too is paradoxical. If art is paradoxical, then is there one way to interpret art?For Plato, the good life, is a life spent in the rational pursuit of universal knowledge.

Such a pursuit, he thinks, can be achieved in an ideal society where philosophers become kings. In the selection from The Symposium, [2] Diotoma explains to Socrates that the desire for beauty is the ultimately part of the quest for attaining our immortality by means of "giving birth" to such eternal goods as virtue and wisdom.

An analysis of de profundis based on platos view of art and beauty

Plato's account of true love is still the most subtle and beautiful there is. from whom he learned the art of love. You could order a society ideally based on programmed robots without.

An analysis of de profundis based on platos view of art and beauty

Aestheticism. Many Victorians passionately believed that literature and art fulfilled important ethical roles. Literature provided models of correct behavior: it allowed people to identify with situations in which good actions were rewarded, or it provoked tender emotions.

It, therefore, follows that aesthetics has to discuss such topics as the relation of art to nature and life, the distinction of art from nature, the relation of natural to artistic beauty, the conditions and nature of beauty in a work of art, and especially the distinction of beauty from truth, from utility, and from moral goodness.

Plato’s main argument, that art can only be a reflection that resembles the good, and an illusion in respect of evil, is one that, for most modern readers, would represent a false reality in a world artistically represented as containing both good and evil. If anything, De Profundis is a work of pure beauty and should be treated as the ultimate truth in Wilde’s assessment of his situation.

It is up to the reader to discern that truth. Works Cited. Brown, Julia Prewitt.

Plato's Argument: Art is an Imitation of an Imitation